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Thom Dunn is a Boston-based writer, musician, and utterly terrible dancer. He is the singer/guitarist for the indie rock/power-pop the Roland High Life, as well as a staff writer for the New York Times’ Wirecutter and a regular contributor at BoingBoing.net. Thom enjoys Oxford commas, metaphysics, and romantic clichés (especially when they involve whiskey), and he firmly believes that Journey's "Don't Stop Believing" is the single greatest atrocity committed against mankind. He is a graduate of Clarion Writer's Workshop at UCSD ('13) & Emerson College ('08).

Drag Queens and Puppets and Murder, Oh My!

For the past 20 years, Ryan Landry has been making these crazy queer-mash-up-parody plays full of puppets, drag queens, and all kinds of offensive brilliance, and he's established quite a reputation for himself in doing this, consistently selling out 4 or more shows a year which he typically performs in the basement of a gay bar in the Fenway. We're finally teaming up with him at the Huntington to bring his irreverent theatrical style to a larger stage, and give him the opportunity to collaborate with different artists (and hopefully help him to continue to grow as an artist, you know). I spoke with our Artistic Director, Peter DuBois, about the wild works of Ryan Landry, in anticipation of his upcoming adaptation of Fritz Lang's German child murder film noir M, which plays March 29 through April 27 at the Huntington. Check it out: 

Artistic Director Peter DuBois discusses the irreverent genius of local playwright Ryan Landry and the process of turning Fritz Lang's iconic German film noir M into a nightmarish good time (with puppets). Ryan Landry's "M" plays March 29 - April 27, 2013 at the South End / Calderwood Pavilion at the BCA.