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Thom Dunn is a Boston-based writer, musician, and utterly terrible dancer. He is the singer/guitarist for the indie rock/power-pop the Roland High Life, as well as a staff writer for the New York Times’ Wirecutter and a regular contributor at BoingBoing.net. Thom enjoys Oxford commas, metaphysics, and romantic clichés (especially when they involve whiskey), and he firmly believes that Journey's "Don't Stop Believing" is the single greatest atrocity committed against mankind. He is a graduate of Clarion Writer's Workshop at UCSD ('13) & Emerson College ('08).

Good News, True Believers!

I've got two new exciting bits to share with you about your favorite nerdy theatre experience. First, The Hive Theatre in New York will be presenting a staged reading of True Believers on Monday, March 18 at 7pm at the Lee Strasberg Film & Theatre Institute on East 15th Street near Union Square. The reading is being presented under an Equity showcase contract, which technically means that they're all professional actors who probably aren't being paid, but that's okay, because hey, cool, professional NY actors! I've met with the company once so far, and they're incredibly excited and supportive about the show. I by no means feel that the script is perfect, but when I asked them about a few of the concerns I had about it, they all pretty much answered, "Nope, it's great, don't worry about it," so, ya know, that's nice. If you're in New York, or have any friends in New York, please tell them to come (especially if they're important agents/editors/producers/superheroes/billionaire philanthropists/the real-life inspiration for Avenger because oh God I want to see his face). The other great news I received this same weekend (which also pertains to True Believers) is that I've been invited to participate in the Last Frontier Theatre Conference at Prince Williams Sound Community College in Valdez, Alaska, which is apparently a 6 hour drive from Anchorage. It's a week long conference full of panels and workshops all focusing on new works for American theatre, and another staged reading of True Believers will be presented under my adept direction. But mostly, it'll be cool to go to Alaska in May when it's not a frozen tundra and there's only like 3 hours of darkness and then suddenly I'm Al Pacino and I'm going crazy trying to catch a killer and hey that could be plot of my next play (he says, already working on 2 more simultaneously instead of focusing on finishing one UGH).

So in conclusion: The Cyborg Head of Stan Lee was right.