Compare with...
And yet, we don't see this...
All comics (which are separate, but thematically connected) written and drawn by Matt Borrs.
Thom Dunn is a Boston-based writer, musician, and utterly terrible dancer. He is the singer/guitarist for the indie rock/power-pop the Roland High Life, as well as a staff writer for the New York Times’ Wirecutter and a regular contributor at BoingBoing.net. Thom enjoys Oxford commas, metaphysics, and romantic clichés (especially when they involve whiskey), and he firmly believes that Journey's "Don't Stop Believing" is the single greatest atrocity committed against mankind. He is a graduate of Clarion Writer's Workshop at UCSD ('13) & Emerson College ('08).
Compare with...
And yet, we don't see this...
All comics (which are separate, but thematically connected) written and drawn by Matt Borrs.
In other news: my friends at Quirk Books asked me to write a little Thanksgiving post celebrating a book that I'm grateful for. And that's how I ended up standing in my kitchen with a Bluetooth keyboard in my hand, walking in circles drunk on double IPA and writing this wonderful ode to The Invisibles, which turned 20 years old this year.
But seriously. This book will change your life. If it were a food, it would be a Cthurkey.
Presented without comment, because it's self-explanatory.
From Live Freaky, Die Freaky!, the post-apocalyptic stop-motion Charles Manson sci-fi musical. Yup.
In celebration of his upcoming nuptials, I thought I'd remind you of my personal favorite piece of weird Charles Manson history (not that I have like, a running list but...ugh, whatever).
See, once upon a time, just a year before the fully-public crazy and the murder and stuff, Charlie Manson was shacking up with Dennis Wilson of the Beach Boys. Sure, they shared some concubines, but more importantly, they made music together.
That's right, the Beach Boys collaborated with one of the most notorious Neo-Nazi cultist murderers in American history.
Read MoreWritten/drawn/narrated by Molly Crabapple for Fusion. Presented without comment.
I spoiled the broth; it's true.
If there's anything the Internet loves right now, it's Too Many Cooks and that street harassment video of the woman walking through NYC and getting cat-called. So I figured, why not kill two meme birds with one meme stone, as it were, and spend a half an hour on my coach slicing the two together in what is probably the most embarrassingly sloppy video editing I've ever done?
"Why not" indeed.
(I had originally wanted to replace every single catcall instance with just the hook from "Too Many Cooks," but that required, ya know, time and effort and careful editing, so I just said "screw it." I got enough else going on.)
Kurt Vonnegut would have been 92 years old today, Veterans Day 2014 — which is particularly ironic because although Vonnegut was a veteran himself, his anti-war sentiments were anything but subtle ("I'll be damned if it was worth it," he once wrote in a letter to home when he was deployed). Admittedly, he may have been biased, seeing as how he was held as a POW in World War II during the bombing of Dresden, which inspired his psuedo-autobiographical-time-travel-alien-abduction novel Slaughterhouse-Five. That's the power of science fiction, kids: when a personal experience is so traumatic that you struggle for years to find a way to write about it, just add some Tralfamadorians and some non-linear structure, and somehow through all that fantastical dressing, you will find the heart of the story that you were otherwise too close to and too scared to find...
Read MoreInfinite Jest is a long book. It's also amazing, and totally worth every moment spent with it, even if it will turn you into the butt of a million hipster jokes. One of the most memorable scenes in the book (possibly due to its tedious details and overall ridiculousness) is the ESCHATON massacre, in which the younger students at Enfield Tennis Academy in Boston play a massive global war-game on adjacent tennis courts with the aid of a randomized computer algorithm and a few pot-smoking upperclassmen overseeing the festivities. It's like life-size RISK with more tennis balls and marijuana, and, like all good fiction, it doesn't quite go as planned.
I bring this up now because today, November 8, was the day that the Eschaton game took place. Infinite Jest is set vaguely in the future, at a point where time was subsidized by the ONAN government (Organization of North American Nations, the super-country formed by the US, Mexico, and Canada). So rather than assigning numbers to each new year, the government offers each new year for corporate sponsorship; the main plot of the novel, for example, takes place in the Year of the Depends Adult Undergarment (YDAU for short). Using some context clues, we can actually determine that the Year of the Depends Adult Undergarment was probably intended to be the year 2009, which makes today the possible 5th anniversary of a fictional event that took place in a 1000+ page book that came out 18 years ago.
And but then so that's my way of saying here's a bunch of fun Infinite Jest-related shit that I found on the Internet that I'm sharing here now in celebration of the life and work of the late David Foster Wallace which some of you might enjoy or care about if you, too, have given your life up to this damn tome.
Read MoreYeahhhhhhhhhhh this pretty much sums it up. Happy post-election day.
It's Witching Season once again, which means it's time to engage into the centuries-old practice of SPOOKY STORIES! WOOHOO! Here are a few personal favorites that I thought I would share...
Read MoreTwo, count 'em, TWO big announcements about everyone's favorite geek culture serio-comedy theatrical romp (that being True Believers, which I wrote):
And if for some reason you found your way to this website / blogpost and have no idea what I'm talking about, well, you're in luck, because I've got a whole section of my website dedicated to True Believers, complete with script samples, production photos, reviews, and more.
For the Cyborg Head of Stan Lee!
Zach Winston as Billy cosplaying Galactus.
Rachel Katherine Alexander as Chloe cosplaying Slave Leia with a hoodie, 'cause it's cold.
There was a great piece on NPR the other day where Glen Weldon tried to explain to a curious friend the convoluted insanity of superhero comic book continuity — how the intrinsic nature of the genre's cyclical storytelling patterns is both endlessly frustrating but also part of its charm.
Or, as the saying goes — Comics, Everybody!
This weird cynicism towards death even seeps into the stories themselves. I recall a great issue of X-Factor where Siryn learned about the death of her father, the X-Man Banshee. She just laughed and laughed and laughed, which everyone around her found, well, pretty insensitive. "Come on, you guys," she explained. "We're superheroes! He's dead for now, sure, but he'll be back. I'm not worried about it." It made the rest of the team uncomfortable and concerned for mental well-being, but personally, I thought it was a pretty shockingly accurate depiction of mourning and the different ways that people learn to cope — particularly in a world where no one stays dead (except for Uncle Ben...so far).
There have been some great superhero death stories over the years (Ed Brubaker's Captain America comes to mind), and there have also been some great stories deconstructing the cyclical nature of superhero deaths (Grant Morrison's runs on both Batman and New X-Men...and also Flex Mentallo, and to a certain degree All-Star Superman and...yeah Grant's really into that, huh?). Weldon is correct to use the Asgardian "Ragnarok" to describe this phenomenon, and not just because of Thor. There's a longstanding tradition of death and resurrection in Western storytelling — Jesus being the obvious example, but really, nearly every major epic hero throughout history has had to undergo some kind of death or Underworld trial, and of course, the cycle of death and return also reflects the ever-changing seasons, and the orbit of the Earth, and so on. If we're running on the belief that superheroes are modern (corporate-owned) mythology, well, then the ubiquity of death makes perfect sense.
That being said, it's a particularly weird thing when it comes to narrative devices — death ups the stakes in any story, but at the same time, the promise of resurrection (no matter how much the company insists that this one will stick) robs the story of those stakes, and it turns death into a rote plot device, just another stage in the story. Death in comics is never "The End," which is either incredibly screwed-up, or a touching perspective on how our loved ones might live on in real life. But when death is just another phase in your story, I think that makes it harder to approach with the appropriate gravitas.
Meanwhile, "Death of [Superhero]" comics continue to sell incredibly well, and as long as people keep buyin' 'em, publishers will keep on killin' 'em and bringin' 'em back. Which, on a meta-reading level, means that comic book readers are trapped in the same endless cycle as the characters they read about, alternating between disillusionment and infatuation with the genre they grew up with. And we're stuck in it just the same.
Whoa. I don't know how I missed this until now, although it feels particularly timely with New York Comic-Con this weekend (I'll be there doing coverage for Bleeding Cool and Tor — let's hang out!). Dorkly artists Julia Lepetit and Andrew Bridgman created these infographics breaking down every single stereotype you're likely to find at a comic book / video game / general geek culture-based convention, and, well, they're all pretty accurate (not to mention utterly hilarious).
Whether you've been to a con or not, you'll be amazed at how long this list keeps going. And every single caricature is remarkably accurate. So I guess it's good that there are so many, because at least we're stereotyping people into too broad of categories? Sure, that sounds like a rational justification for laughing at other people (most of whom are just like me).
Read MoreI wrote this poem a few years back, but I thought it'd be fun to share again. Really it's just a long and convoluted way of saying, "That shit's gross, man; so why do I keep eating it?"
rounded wax wedges, waning; a tawny
base that tapers towards a soft point
white like tundra, in taste and texture,
bleeding out from burning copper ribs
hardly mellow hardened creme
of candle crops to harvest fat
free treats, a sign of times once pagan-
pluralistic-primal-precocious-pre-
human, uncivilized, re-captured,
re-claimed, costume the dead alive
and turn the season, turn to shovel
handfuls into mouths full of rotting
teeth a special offer, a limited time only
exciting when available but hardly
missed in memories of stomaches
turned to sick, in children as in men
but indulging in each dish we find it
harder to resist the solstice sweets
and let ourselves get lost inside
that sadistic sugar maize
Remember those wacky mail order ads for weird pulp fiction products that you used to be able to find in the back of old comic books?
This little gem from 1979 — limited to only 5,000, get yours today while supplies last! — was supposedly an attempt to capitalize on the release of yet-another Dracula movie that same year. I probably shouldn't be so dismissive, that was obviously well-before there were way too many vampire things around, but 1979 was considered by some to be 'The Year of the Dracula,' as Werner Herzog's Nosferatu the Vampyre (which, it should be noted, was not about Dracula) and Love at First Bite were also released that same year. So in that case, I guess that an amulet of "genuine" soil isn't the worst bit of opportunist merchandising possible? (he says, from a strange future world where pretty young vampires all love and sparkle)
If this was 2014, that little necklace would cost you $40 with shipping, all because some shkeevy marketing guy paid some Romanian dude $10 to dump some dirt into a box and ship it off to America. Forty bucks — and it doesn't even grant the wearer any mystical powers! (although if you ask me, that little disclaimer text is a prime example of "Thou doth protest too much"...)
However, it does include a certificate of authenticity, which makes me wonder — who exactly signed that certificate, and what sort of qualifications did that person have? Truly, what makes one an expert in vampire soil? Are there real vampire archaeologists out there who do this stuff? If so, the official Vampire Archaeology Authentication Council should probably review their application process, because "Dracula's Castle" isn't even a real place. Presumably, this soil comes from Bran Castle, which does claim itself to be "Dracula's Castle" as a tourist attraction due its location near the border of Transylvania and Wallachia. Although previously owned by Hungarian kings, the castle was actually repossessed by the city of Brasov in 1533 after Vlad II Dracul failed to pay some other loans he'd taken out — Vlad II Dracul being the father of Vlad III aka Vlad Tepes aka Vlad the Impaler, the supposed inspiration for the fictional character of Dracula, who was never known to have spent any time in or around Bran Castle during his life.
Supposedly, Stoker's inspiration for the physical layout and appearance of Dracula's castle in his novel is based on New Slain Castle in Aberdeenshire, Scotland, according to Clare Haworth-Maden in The Essential Dracula. Despite popular opinion and prevailing cultural imagery, Dracula may have his roots more in Gaelic traditions and history than those of Eastern Europe, especially when you consider that Stoker himself was Irish. Fun fact: while "dracul" in Romanian does indeed translate to "Son of the Dragon," "droch fhola" in Irish Gaelic (pronounced "droc'ola") translates to "bad blood." Curious? Consider then the legend of Abhartach, an Irish warlord with dwarfism (but not one of the Daoine Maithe or Tuatha Dé Danann!) from present-day County Derry who was supposedly immortal and was said to have drank the blood of his enemies. From The Origin and History of Irish Names & Places:
There is a place in the parish of Errigal in Derry, called Slaghtaverty, but it ought to have been called Laghtaverty, the laght or sepulchral monument of the abhartach or dwarf. This dwarf was a magician, and a dreadful tyrant, and after having perpetrated great cruelties on the people he was at last vanquished and slain by a neighbouring chieftain; some say by Fionn Mac Cumhail. He was buried in a standing posture, but the very next day he appeared in his old haunts, more cruel and vigorous than ever. And the chief slew him a second time and buried him as before, but again he escaped from the grave, and spread terror through the whole country. The chief then consulted a druid, and according to his directions, he slew the dwarf a third time, and buried him in the same place, with his head downwards; which subdued his magical power, so that he never again appeared on earth. The laght raised over the dwarf is still there, and you may hear the legend with much detail from the natives of the place, one of whom told it to me.
Regardless of Dracula's origins, or the origins of his alleged soil from Castle Dracula, I suspect that this exclusive offer is no longer available. Fortunately, Darling Pet Munkee, a Boston-based band that just writes songs about ridiculous ads from the backs of old comic books, was kind enough to immortalize this rare necklace in song for our enjoyment:
This is the way the world ends: not with a bang, but a mortgage.
Read MoreSo this is a thing that happened.
Okay so it didn't actually happen, but in 1879, The London Punch was so fed up with Edison's ubiquity that they published this series of cartoons, figuring that their lighthearted attempt of futurism really wasn't that far off from reality.
I, for one, am rather disappointed that Edison's anti-gravity underwear never actually came to fruition. After all, it's not like Edison ever shied away from stealing other peoples' ideas and claiming them as his own...
Before I go any further, I just want to make it clear that I love Republicans. Some of my best friends are Republicans. Hell, my dad is an ex-hippy who voted for Obama in '08 and we probably agree on about 85% of policy issues (though occasionally disagree on the most effective means to achieve those agreed-upon ends) and he's a registered Republican, too.
(See what I did there? With the "Some of my best friends are..." thing? That was pretty clever, right?)
But this? This is hilarious.
I truly don't mean this as a post to make fun of Republicans; but rather, to laugh at people who are genuinely out of touch. I also wasn't lying about having Republican friends — I think a lot of people on the quote-unquote "liberal" side of the equation do unfortunately pass judgement on anyone who associates with the "R-word," and assume that they are all bigoted hyper-Christian corporate sellouts, which is both untrue, and unfair. I make no secret that I identify with more progressive social politics (although my expertise when it comes to economic politics is admittedly lacking), but on a very base and literal level, "right wing" means "small government, less intervention" and "left wing" means "more government oversight." Obviously, this is not how things always play out, but that's the trick with partisan politics that force us to choose between big government and liberal social views, or small government and conservative social views; nothing in the real world plays out quite as black-and-white as the options that we're given. That's the crazy part of the political clock, where people on the radical left turn to anarchy which actually has more in common with pure Republicanism (or at least Libertarianism, which has its own set of "better-in-theory" problems).
So tl;dr, I do appreciate this campaign's attempts to say "Hey! Some of us just believe in a free market economy where the government doesn't watch and control our every move! (a completely justifiable belief!) Just because our big-name represented officials in DC support Citizens United and claim 'Christian persecution' while trying to ironically dictate laws to women about their own bodies, doesn't mean that all of us fall into that category!" And again — despite what a lot of people in my liberal circles insist, not everyone who identifies as Republican is a racist homophobic misogynistic hatemonger. So in that way — yeah, okay, this marketing campaign makes sense (although it is a bit strange that all of the major elected officials who identify as Republican — and this does not necessarily extend to local officials because, well, I just don't know — either fall into this category, or else don't speak up against it). And it's certainly true that we probably shouldn't be making fun of other people in general. That being said, it still comes off as a laughably desperate attempt at seeming "cool" and "in-touch with the kids these days" which, man, really isn't helping your cause...
But then, maybe the guy that started this #ImARepublican movement just got me to post something vaguely positive-ish about Republicans on my otherwise-progressive blog. So maybe, just maybe, his secret scheme is working.
Also, let's not forget that Johnny Ramone was a Republican, too (much to the chagrin of Joey Ramone, who wrote this song about Johnny when Johnny married his ex-girlfriend):
Can we have an entire movie of these three hanging out? Kthx.