blog

Thom Dunn is a Boston-based writer, musician, and utterly terrible dancer. He is the singer/guitarist for the indie rock/power-pop the Roland High Life, as well as a staff writer for the New York Times’ Wirecutter and a regular contributor at BoingBoing.net. Thom enjoys Oxford commas, metaphysics, and romantic clichés (especially when they involve whiskey), and he firmly believes that Journey's "Don't Stop Believing" is the single greatest atrocity committed against mankind. He is a graduate of Clarion Writer's Workshop at UCSD ('13) & Emerson College ('08).

Billy Horowitz and the No Good Horrible Very Bad AVENGERS Movie

Here's a little sneak peek at the world premiere of my new play True Believers. Billy Horowitz is a self-proclaimed "rogue video blogger" (as well as a cyborg), and his passion for comic books tends to drive him into a destructive frenzy. His video blogs feature prominently into the play, projected on the stage, and here, Billy takes his shot at The Avengers movie. [youtube http://www.youtube.com/watch?v=cB6f0bb-n1Y]

Don't forgot to buy your tickets for the show, which only runs for 2 weeks. Performances start this Thursday!

Quite Possibly The Greatest Ever Thing Known To Man

Stay Tuned, True Believers!

Rehearsals for my new play True Believers are now well under way! I'm incredibly to be working with our talented and enthusiastic cast, featuring:

  • Ryan Edlinger as Chad Mailer. "Comic book writer, creator of Night Shift. High aspirations; doesn’t get the attention he thinks he deserves. Seriously didn’t mean to make Wolverine gay."
  • Michael Avellar as Ted Thompson. "Comic book editor, currently at DC Comics. Worked on Night Shift with Chad. Recently divorced. She took his entire Star Wars collection in the settlement. Yes, that includes his Han Solo in Carbonite coffee table. Not that he’s bitter or anything."
  • Zach Winston as Billy Horowitz. "Amateur comic book journalist (read: video blogger) and Cyborg Rights Activist (he has a pacemaker). Avid cosplayer."
  • Jeffrey Charles Marcus as Calvin Elder. "By day, a mild mannered aspiring comic book artist. By night, he dons the mantle of...Avenger! No, not 'The' Avenger. Just Avenger. You haven’t heard of him? Calvin didn’t make him up. He’s an original creation."
  • James Remmes as Box. "Comic writer and professional druid magic user (or at least that’s what he says). Actually knows how to pronounce 'Cthulhu Ftagn.' His mom calls him Christopher."
  • Caitlyn Conley as Kt Watts. "Artist on Night Shift (as Katie Tulle). Also wrote the final issue (as Kt Watts). Recently sold the movie rights to her slice-of-life graphic novel Robots Still Love You (Until Their Batteries Die). Her roller derby name is SnatchBox 20."
  • Rachel Katharine Alexander as Chloe Long. "Small town girl from Kansas. Flying to the city for the first time in her life to finally meet her online boyfriend in person. She’s a little nervous."
  • and Anne Colpitts & Steve Marois in the ensemble.

Tickets are on sale now. The show runs July 12 - 21 at the Piano Factory Theatre in Boston's South End. Check back soon for more updates!

Music & Scenes from Private Lives

Here's another video I put together for the Huntington's production of Private Lives by Noël Coward, which runs through June 24 at the Avenue of the Arts / BU Theatre. This one showcases some of the music and delightful physical comedy of the show, into one quick hilarious montage. If this doesn't make you want to see it, well, then there's no hope for you at all. [youtube http://www.youtube.com/watch?v=SuKx6phlp30&w=450&h=253]

Boozin' & Writin'

Here's a new post I did for the fine folks at Quirk Books, about two of mankind's greatest creations: alcohol, and literature.

"How To Drink Like Your Favorite Writer: From Hemingway to Bukowski" at Quirk Books

Clothes Make the Fan

This has often been on my mind, but the specific inspiration for this piece goes back to the preview screening of THE AVENGERS that I attended. Naturally, there were a lot of people in the audience wearing comic book t-shirts. Because it was a preview screening for an epic comic book movie, and comic book fans (unsurprisingly) enjoy comic book movies (although I suppose "enjoy" can be argued...) and are also the type of people who would seek out passes for a preview screening and stand in line for 2 hours just for a chance to see the movie 3 days before its release. You know. People like me.

But in any large gathering of comic book fans (more than most other subcultures), I tend to notice a lot of awkward compliments. Kid in the Fantastic Four t-shirt sees kid in the Spider-Man t-shirt while we're all waiting in line to go to the bathroom, and of course, he has to go up to him and say "Hey. Cool shirt," as if he's somehow surprised to see that someone else here likes comic books (or that somehow, someone else besides him has heard of the Amazing Spider-Man!). I don't mean to be a miserable cynic — I'm glad that people can find those social connections, because it is both comforting, and important — I just find it odd. It's like going up to someone wearing a Red Sox t-shirt at a Red Sox game and saying "Oh hey man, you like Red Sox, too? I love the Red Sox!" Well yes of course you're at a fucking Red Sox game.

But I digress.

"Cool Shirt, Dude" on FiveByFiveHundred.com

An Interview with playwright Kirsten Greenidge

Kirsten Greenidge just won an Obie Award for playwriting for her play Milk Like Sugar. A Boston native, Kirsten's Boston-based play The Luck of the Irish just had its world premiere at the Huntington and was our highest grossing world premiere by a female playwright, ever. (which is pretty awesome) Here's a video interview I did with Kirsten, discussing her history and relationship with the Huntington. Not only was she a Huntington Playwriting Fellow, but she decided to become a playwright after seeing a student matinee performance at the Huntington when she was 12. And here we are, 16 years later! Not bad at all!

[youtube http://www.youtube.com/watch?v=rqEZUAvUPx4&w=400&h=225]

Private Lives at the Huntington

Here's my latest behind-the-scenes video for the Huntington, featuring interviews with Private Lives director Maria Aitken, and cast members James Waterston and Bianca Amato. Previews start this Friday, and the show runs through the end of June. It's a hilarious Noël Coward comedy, kind of a posh and witty comedy of manners about marriage and divorce and other equally silly things. [youtube http://www.youtube.com/watch?v=k3rvfvWsg8s]

May: Great Month, or Greatest Month?

I like May. Everyone's happier in May. We're all still a little fat from the winter, but when the sun finally shines on a beautiful weekend day, everyone appreciates it so much after the long, dark seasons. Everyone wants to look their best as they soak up the rays. By the time August rolls around -- sure, everyone's practically naked, but it's no longer sexy. It's just fucking hot. But in May, it's like magic; the first signs of skin exposed for all the sunny smiles to see. I'm sure there's a cynical metaphor about relationships somewhere in here as well. Anyway, here's my newest little piece on Five By Five Hundred:\

"Girls in Sundresses" on FiveByFiveHundred.com

I'm Back Now, And I Brought T-Shirts For Everybody!

I have a confession to make. I didn't really bring t-shirts for everybody. Although I do have these sweet new business cards! So that's cool, right? I know I've been slacking (again) lately (again) with keeping this website updated with all of my various doin's. But it's not like I've not been not doing things (...or is it?)! Instead, I've just been too busy doing things to, ya know, write about doing things. It's kind of why I hate meetings in general, because I'd rather be doing things, than talking about doing things. So this website's kind of like a meeting then. Except I don't hate it; in fact, I quite love my little website here. So really, not like a meeting at all.

(shut up Thom) Okay so here's a brief rundown of where the hell I've been:

  • My very short play, Stumped, was performed as part of a staged reading series to celebrate Company One's production of Hookman.
  • My debut comic book story, Not Dead Yet, finally saw print in GrayHaven Comics' sci-fi anthology, The Fifth Dimension! Also the first printing already sold out, which means maybe someday you'll be able to sell that shit on eBay for like $20 (but probably not)
  • I did a totally awesome article for Quirk Books comparing Samuel Beckett (the playwright) to Sam Beckett (the time traveling protagonist from Quantum Leap) and it was totally awesome. Don't believe me? Ask the former executive director of the American Theatre Wing!
  • I also started doing some writing for Tor.com, with my first article being a roundup of great sci-fi/fantasy rock bands (so basically my two favorite things, combined. If only there was more beer!)
  • We did another staged reading of my play True Believers as part of ImprovBoston's Geek Week celebration. It was really great to hear the play out loud in front of different kind of crowd, as it helps me figure out what kind of changes I need to make to the script before the world premiere this summer at the Factory Theatre (July 12 - 21! Get yer tickets while they're hot! Just kidding, they're not on sale yet). The lovely producing folks at Vagabond Theatre Group have a post up over at their website about the event so you can catch up on all the happening. There's also the first part of an instructional series about how to make your very own The Cyborg Head of Stan Lee, which actually comes a lot more in handy than you might think.
  • Did I mention that I launched a new website for the Huntington, and that our world premiere production of The Luck of the Irish was extended, and sold out almost every night? For being, ya know, "just my day job" or whatever, sometimes it keeps me pretty busy as well.
  • Plus Cupcake! So many things, so very busy with this wonderfully little world-premiere-musical-that-could. We raised $6,000 in our Kickstarter campaign (we were going for $3,750...whoops!), and we were the featured show this past Friday on Goldstar. You may have seen some of my sexy posters around town as well (just don't tell Grant that I photoshopped his arm a bit...) Previews start this Thursday, May 10!
  • AND, to top it all off, I've only got like 50 pages left to read in Infinite Jest (finally! Jesus God this book is epic), so I'm gonna go finish that right now and hopefully conquer my crippling fear (no pun intended) of paraplegic Quebecers.

Lá Fhéile Pádraig!

[soundcloud url="http://api.soundcloud.com/tracks/12036874" iframe="true" /] Anyone who knows me can vouch for the fact that I love being Irish. I hold a great deal of pride in the culture, a feeling ingrained in me by my father since a very young age. We also know, of course, that I do enjoy drinking (as if the homebrewing section of my website weren't enough of an indicator). That being said, St. Paddy's Day (and that's "Paddy" for Pádraig, mind you. "Patty" is a girl's name, or what you might call a hamburger) inspires some conflicting feelings within me. I love the celebration of my heritage, and the recognition that it brings to such a unique and fascinating culture. But I find myself being constantly aggravated at the Plastic Paddies and rampant racism that accompanies the holiday. Sure, I plan on heading over to the pub on the 17th to enjoy a few pints, but that's not all there is. I plan on taking in a few Irish seisiuns, enjoying the music and the culture of Ireland, in addition to the drink. Too many people are happy to diminish the accomplishments of the Irish people and reduce us to alcoholic slobs. And while a great many of us do take to the drink — as well as there are many who actually suffer from alcoholism, which is far from humorous — there's much more about the Irish to celebrate. Unfortunately, most complaints about the depiction of Irish stereotypes in American culture are quickly brushed aside as essentially "white people problems." Despite the fact the Irish are generally an accepted — and celebrated — culture in modern day America (especially in Boston!), many seem to forget the years of struggle that our ancestors went through. Sure, it hasn't much affected me directly — no one's ever called me a "white nigger," or pointed to a sign saying "No Irish Need Apply" — but it affected my family, and thus, it's had affect on how I grew up and who I am today.

This week's post on Five By Five Hundred is brought to you by Brian Boru, Flann O'Brien, James Joyce, Fionn MacCumhaill, Brendan Behan, Samuel Beckett, Cuchulain, Maewyn Succa, and all of the other bright and brilliant faces of Irish culture that have had a positive impact worldwide.

"Nina Never Loved Me" on FiveByFiveHundred.com

(also, while you're at it, I suggest you check out The Shore, the newest Oscar-winning short film by Terry George)

Falling Behind

Oh jeez. Judging by the activity thing, you'd think that I'd done absolutely nothing worth a mention in the last month. But in fact, the opposite is quite true -- I've been too damn busy to post anything here. There's been weddings, there's been funerals, there's been travel, there's been sickness, and everything else in between (aka, ya know, actually doing stuff). So subscribers, I'm going to apologize here now first as I'm likely about to back-post some of the past month's activities for archival reasons. I swear, I will try to be more on top of this.

The Past, The Present, and The Imperfect Future Walk Into a Bar...

Things have been less than ideal as of late, as my girlfriend's best friend quite abruptly passed away from an unexpected heart attack at the age of 28. As you can imagine, it's been a very rough and emotional week. I could very well fill this blog with my thoughts and feelings on the occasion, but anything factual I would attempt to type would feel disingenuous, so here are a few posts catching up on Five By Five Hundred that were inspired by the situation.

Rest in peace, Crystal Gomes. I guess a light as bright as yours is bound to burn out much too fast.

"Being Tense" on FiveByFiveHundred.com

"The Old Maid on the Bar Stool" (part one) (part two) on FiveByFiveHundred.com

Chicago Blues, circa 1927

Over at the Huntington, we're getting ready to open our production of Ma Rainey's Black bottom, the first Broadway hit by August Wilson. It's also the last show in Wilson's Century Cycle to be produced by us; starting with Joe Turner's Come and Gone, Wilson had a home at the Huntington in developing his plays before they hit Broadway, so it's a particularly special occasion. Here's a short teaser trailer I cut together for the show:

[youtube http://www.youtube.com/watch?v=N-U6Ls5kF0c&w=480&h=274]

No Time For Love, Doctor Jones

And so begins the madness. First, I'll be performing tonight at Mortified Boston, thanks to the fantastic Ms Lisa McColgan (a co-worker over at the Huntington, as well as a fellow writer on Five By Five Hundred and possibly the world's biggest zombie enthusiast). I'll be singing a hilariously embarrassing song that I originally wrote in high school, so if you want to see me get up and stage and humiliate myself, well, that's the place to be. On a less romantic note, this week's Five By Five Hundred entry recalls an encounter with one of my favorite homeless people on the entire planet (yes, I have more than one favorite homeless person). Singing the praises of a confessed former-gang-banger might not seem like the most topical choice for a Valentines Day post, but, well, in light of recent events *cough*Chris Brown*cough*, it makes some form of sense in my warped mind.

"Joe" on FiveByFiveHundred.com