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Thom Dunn is a Boston-based writer, musician, and utterly terrible dancer. He is the singer/guitarist for the indie rock/power-pop the Roland High Life, as well as a staff writer for the New York Times’ Wirecutter and a regular contributor at BoingBoing.net. Thom enjoys Oxford commas, metaphysics, and romantic clichés (especially when they involve whiskey), and he firmly believes that Journey's "Don't Stop Believing" is the single greatest atrocity committed against mankind. He is a graduate of Clarion Writer's Workshop at UCSD ('13) & Emerson College ('08).

Now On Sale - "In A Single Bound: Superheroes For Greater Boston...And Beyond!"

Covers-12-150-small(wow I can't believe I totally forgot to post about this back in April) (yes I realize I've been neglecting this site) (I could have sworn I posted about this when it happened...)

I recently published another comic book story, this one with Boston Comics Roundtable / Ninth Art Press and featuring artwork by my friend Jim Gallagher. Our story is part of an anthology series about Boston-centric superheroes, and what's even cooler is that our superhero "Louie the Lone Dervish" (inspired by Louie With The Tricycle, a popular homeless guy around these parts) is featured right there on the cover on the anthology as well. Not bad for a story about a crazy superhobo on a refurbished three-wheeler!

The comic was originally set to have its debut at Boston Comic-Con back in April, but, well, that kind of got postponed because, you know, all kinds of craziness. So it's now available online following the re-scheduled Boston Comic-Con from last weekend. You can pick up a copy of "In A Single Bound" #2 over at the Ninth Art Press website, a scant $6 for 36 glorious black-and-white pages done entirely by Boston-based writers & artists.

UPDATE: this blog post managed to make the rounds today, thanks to the magical powers of the Internet, and I was interviewed by Boston Magazine about it. You know, 'cause I'm awesome n'shizz. Check out the interview over on their website!

Toni Tone Tony

So this one time, I won a Tony Award.

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(damn I look good in a tux)

Okay well technically my entire company won a Tony Award, but still, I fall under that category. Which means that I am now officially a Tony Award-winning playwright! I just, you know, didn't win the Tony Award for playwriting; I won it for, uh, well, I guess, Web & New Media Management. WHATEVER YO I GOT A TONY.

Anyway, it was awesome. I've recapped the experience over on the Huntington's blog, as well as on the Boston Herald website, so you can read about it in detail on one of those sites. But mostly I just wanted to brag for a moment.So excuse me while I go brush my shoulders off.

Oh Whoops Sorry Website Didn't See You There

So the last few months have been a little crazy, from my True Believers reading in New York through our million-dollar fundraiser gala at the Huntington and our receiving the regional Tony Award and OH YEAH horrible attacks on Boston and in my response to Amanda Palmer's narcissistic response to that event getting picked up on BuzzFeed and my latest comic book getting published with my story on the cover and also writing/recording some music for the world premiere of John King's From Denmark With Love and then occasionally sleeping and then now I'm in Alaska for the Last Frontier Theatre Conference and another workshop reading of True Believers and then we have our production of Rapture, Blister, Burn starting previews at the Huntington this Friday and then it's Alumni Weekend at Emerson plus I have a wedding to attend that I still need to write some things for and then there's the Tony Awards themselves where I plan on armwrestling Alec Baldwin and so basically I'm sorry that I've been neglecting this website but I really really swear that I will try to be better about it going forward so that I'm not either back-dating blogposts en masse to pretend that I'm sharing everything in a timely manner or giving off the impression to all 3 of my loyal readers that my constant doing of things has come to a grinding halt or that I am dead or somehow disappeared or maybe that The Doctor has come and stolen me away in his TARDIS and I know this is getting pretty ramble-y right now but I'm kind of enjoying seeing how much I can vomit from my brain without stopping or using any commas but I should probably get back to the theatre conference because holy crap a bald eagle just flew past my window so I'm gonna go okay bye.

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"...And We Go Ahhhhhhh / Like a Raisin in The Sun /.... "

(...that's how the song goes, right?) Coming up next at the Huntington, Liesl Tommy is returning to direct the classic A Raisin In The Sun, a play which I probably don't need to tell you anything about because you've already read it. But here's a video I made of our Artistic Director Peter DuBois talking about what makes this production special (including a mention of Bevin's next project, the Boston premiere of last year's Tony Award winner Clybourne Park for SpeakEasy Stage).

[youtube=http://www.youtube.com/watch?v=ERERCo1dI1o]

A Raisin In The Sun plays March 8 - April 7, 2013 at the Avenue of the Arts / BU Theatre, and Clybourne Park runs March 1 - 30, 2013 at the South End / Calderwood Pavilion at the BCA.

Who For You For Me For Who?

My incredibly talented partner, Ms. M. Bevin O'Gara, is directing the Boston premiere of You For Me For You, a fantastical new play by Mia Chung that tells the story of two sisters trying to escape North Korea and flee to the United States. Bevin and I tend to stay out of each others' ways when it comes to our creative processes, so while I've read the script, I honestly don't know much about the production itself -- but I can tell you that I'm incredibly excited to see this highly imaginative story acted out on stage (and not just because my girlfriend is the director and I'm biased). Here's a little preview video I put together for the production, which starts performances tomorrow and runs through February 16:

[youtube=http://www.youtube.com/watch?feature=player_embedded&v=qlpSZVLyuEA]

(side note, when I was approached to create a video for the show, it took so much of my will power to not just give them this:

[youtube=http://www.youtube.com/watch?v=UEaKX9YYHiQ]

but you knew that was coming, right? I'm a horrible person)

Live Theatre On Video, Live!

For those of you who missed the 2nd Annual Boston One-Minute Play Festival, you're in the luck! The whole thing is streaming online here at HowlRound's NewPlayTV. If you don't want to watch the entire thing (which is understandable, it's 2 hours long), my 2 plays are at approximately 28 minutes, and at 48:55.

Also, you might want to fastforward to the end to watch a delightful surprise.

Punk Rock Archaelogy

While combing through my parents' basement to find my old Warhammer models (shut up), I stumbled across a CD-R with my name written on it in someone else's handwriting. Of course I was curious, so I popped it into the computer and discovered two demo recordings of songs I had written in high school. The playing is sloppy, the lead parts totally unrehearsed (and foolishly undubbed), and the vocals are much whinier than I remember my voice ever being, but they're fun enough. This, in addition to my MORTIFIED performance last Saturday, and the further basement discovery of VHS tapes from my high school band's performances (coming soon!) have made this a delightfully nostalgic week. Anyway, for your laughing/listening pleasure, here they are:

The Dot of My "I"

[soundcloud url="http://api.soundcloud.com/tracks/72843665" params="" width=" 100%" height="166" iframe="true" /]

Yes, this song was written about Ellen Hickle from The Adventures Of Pete & Pete  (AKA the greatest TV show ever created and I will stand by that fact until the day I die). The lyrics are slightly different here than I remember, but that's alright. Maybe I'll re-instate the Endless Mike line if I ever perform it again. Or, maybe not.

(And ugh, bongos?! REALLY, High School Thom? I'm so disappointed in you. I thought you knew better, even then)

Fun fact: a high school friend of mine had a popular public access TV show (oxymoron?) and, after hearing this song, invited me to perform it on the show. Little did I know that he had actually contacted the actress that played Ellen Hickle and offered to pay her to be a surprise guest on the show, which would then chronicle our hilariously awkward blind date. Sadly, she backed out at the last minute (she was apparently working on a pre-med degree at Dartmouth circa 2004, go figure), so our love never had its true chance to blossom, but I suppose it's for the best.

Rockstar Me

[soundcloud url="http://api.soundcloud.com/tracks/72843820" params="" width=" 100%" height="166" iframe="true" /]

This song was an adolescent attempt to deconstruct the myth that guys in bands get laid all the time. So, ya know, it's fictional, tongue-in-cheek, and there's a nice little ironic twist at the end. It's corny power-pop, sure, but it's hardly the worst thing I ever wrote...

Fun fact: My good friend Andy Michaels heard me play this song at an Open Mic night my freshman year of college. We had never met at this point, but his friend had a crush on me, and upon hearing me sing this song, he decided that I was the biggest dick ever, and made plans to kick my ass (though it never actually happened). We finally ended up meeting in the fall of my sophomore year. His aunt was friends with my mother, and he was in a comedy troupe with my suitemates, and one night he drunkenly stumbled into my room and said "Hey! My aunt knows your mom! Is that a Spider-Man comforter? That's awesome! Hey guitar! Let's play a song!" and then we lived happily ever after.

I Am Become Ernest Hemingway, Writer of Booze

Tearing through my parents' basement over Christmas break in search of several missing WARHAMMER pieces (shut up), I stumbled across a few notebooks from college. Still a bit high from the fun and hilarity of my MORTIFIED experience this past Saturday evening in Cambridge, I skimmed through the notebooks, placing certain moments back at specific times in my life. (there's certainly a lot crap, but a bunch of great lines / idea gems in between the crap that maybe someday I'll revisit in song) One thing in particular that stuck out to me -- pages I have been dying to rediscover since it happened -- was a bit of writing I did in July 2006, my first summer spent living in Boston between my sophomore and junior years. 2006 in general was definitely a very significant transition year for me, and while some of that anxiety might slip through here, that's not really the point. I remember the evening when I turned to my then-roommate, Layne, and said "Ya know, Layne, you hear about all these artists, songwriters, etc. with horrible, horrible addiction problems, but still somehow creating their best creative while completely obliterated. But I've never actually done that." So naturally Layne, being the kind and considerate soul she was, walked directly into the kitchen and poured me ten shots of vodka in a line. I looked down at the counter and looked back at her, eyes wide with fear. "Go," she demanded, and, well, I did, because Layne was just that kind of person that you could never down on, even when it was a terrible idea (because you knew that her worst ideas usually made the best stories).

So bam. 10 shots of vodka in a row, right down the hatch. No dinner. A quick chaser of Diet Coke, and I locked myself in the bedroom with a guitar and a notebook and a pen. I didn't even turn the lights on; it felt more poetic that way (whatever man, I was 20), and there was enough light bleeding in through the window from the construction site next door. And I just went, pouring out my every thought in some strange semblance of verse.

Eventually, I compiled some of these lines into a piece called "The Ballad of Gideon Stargrave," but the first time ever, here are my (mostly) unedited ramblings from that fateful drunken night:

I'm stuck somewhere between Myself and I

(And the lock keeps locking loudly when I'm sleeping late past 12)

In a city full of strangers Or a town that's full of ants I'm an albatross awaiting flight, a soldier's final dance before his life and pride are blown apart locked on target for his heart his pen's the only missile that he flies but he's still somewhere between himself and I

This section was titled "Don't Tell Mom & Dad That I Sold Out"

There's a letter in my drawer that I wrote when I was four with a crayon Though the wax is coming off and my handwriting is rough and my spelling hasn't bettered in years I think it says it all There's a flyer on my wall from the local rental hall where I booked shows when I was just 16 and we still sucked

But I've tried to find the words that best describe my frame of mind It's hanging from the mantlepiece, a mix of nails of twine. The string is strung out and nails are warped

WHAT THE FUCK DOES THAT EVEN MEAN I MEAN I'M FINE, IT'S FINE WE'RE FINE WE'LL ALL BE ALRIGHT

Yes, I actually wrote that, scrawled across the page. I assume that I was disappointed with where my words were going -- though looking back, I may have been on to a cool idea with that whole motif of a literal physical frame my mind.

Maybe.

Anyway, it kept going:

Like a charm wearing thin Like a light shining in from the street because I can't afford electric bills. Like a fish drying out Like a boy in a drought of love Only love In a land of snakes and donkeys and the elephants that eat them towering above them like a lamb without his wool but he's offering his blessing to the boy out in the cold because he's given all that he can give he's left with just a face and though the girls can swear he's handsome it's just not to his taste without his arms, without a neck, without his feet, without a heart, he's more than alive and it's more than a start

Clearly I was going for some deep political themes here. I understand the symbolism of elephants and lambs and snakes and donkeys but....what the hell does that even mean?

I think it's the start of a beautiful day when the robots have all gone home and away The sunlight sneaks in through the blinds and tears through the crust that your allergies left on your eyes. The lids peel apart and just to find the calm of her back fast asleep within mine. Your lips part and stretch in a smile as you observer her warm chest rise and fall, rise and fall, to the side and you can't help but smile and sigh as her faint lips part to breathe your air, you long to taste their salty embrace and you long for just once to feel right

He gave me most of his mind He asked me to write To color his life But a poet is lost when his life is alright When the girls are in love When he sleeps through the night

There will be bells and trumpets and choirs that sing to the world when I fall in love There will be wars Once hot but frozen Both hands will shake When I am in love And there will be clouds that will bring in the rain but in moments so precious our lips must stay moist and there will be boys who discover their parents discover their future when i fall in love and there will be grass where dirt resides barren without so much a flower or lone daffodil because the last dandelion that I will become will someday fall in love when he someday breathe his rest

There's another way to find ourselves in love There's another way to find a man within these every walls.

Later I'll be sure to post photos of each of the pages, so you can see how hilariously my handwriting devolved as the night went on.

Naturally the next day I awoke with the sun (because I passed out before I remembered to pull the blinds down), wearing all my clothes and cuddling with my guitar. Surprisingly, I still seem to remember at least a few of the melodies and riffs for the music I wrote during this session...

College was fun.

Merry Christmas (Eve)!

I figure must people are busy spending time with their families (as they should be!), so here's a quick update for you to enjoy while you're in the bathroom or waiting for family to arrive or whatever. First, over on Five By Five Hundred, I whipped up a brief little parody piece after one of my own family's favorite traditions that I think everyone can enjoy -- "'Twas The Night Before Christmas Break."

And then there's this:

[youtube=http://www.youtube.com/watch?v=sDheBMWy7Ic]

You're welcome. Merry Christmas! (and equivalent non-Christian holiday greetings, of course)

Music To Soothe Your Jangled Innards

Quick update about a few events I've got coming up. One, I'll doing a show THIS Friday, December 14 at the All Asia in Central Square, Cambridge with my / Boston's premiere all-male hard rock Lady Gaga cover band Alejandro and the Fame. These shows are always a blast for everyone involved, and are almost always guaranteed to sell out, so make you get there (lookin' at you, People On The Other Side Of The River Who Missed Our Last Show Because It Was Allllllll The Way In JP Oh BooHoo). Admission is a scant $6, and we hit the stage around 10:30pm! I'm also excited to announce that I'll be performing a short set for MORTIFIED at Oberon on Saturday, December 22. For those who haven't heard of this, MORTIFIED is a night of performance in which real-live grown adult humans read horribly horribly embarrassing things from their high school journals / AIM transcripts / etc, and hilarity ensues. And so, during my set, you'll be treated to some particularly painful gems that I dugout from my high school and middle school songwriting notebooks. Ever wonder what kind of angsty tunes I wrote when I was 14 (including "Dot of my 'I'" and instant never-classic "Fuck You Hotchkiss Lane")? Here's your only chance to hear them live! More information to come when I got it.

And finally, I was asked to write up a few scripts for the 2nd Annual Boston One-Minute Play Festival at the Boston Playwrights Theatre, January 5-7. I believe the evening as a whole contains about 100 one-minute plays (yes, really, but c'mon, that's barely an hour and a half!), so I'm sure there's going to be some great variety. And if you don't like a play, well, just wait one minute! I will say that writing a play, complete with a status quo, conflict, rising action,and denouement is remarkably more difficult than you might expect it to be, but I'm pretty pleased with what I came up with (and I should be blogging a bit more about it soon over at their website).

That's all for now, folks! See you Friday!

Holiday Special

Today on Five By Five Hundred, I decided to kick off our celebration and excitement for the upcoming holiday season. No, not Christmas; I mean the end of the world! With only 12 days left until the supposed Mayan Apocalypse / World Shift / New Age / Another Boring Saturday Where Nothing Significant Actually Happens Or Changes, I decided to tweak one of your perennial holiday favorites and update it for the times. Enjoy!

"The 12 Days Of Apocalypse" on FiveByFiveHundred.com

ALSO! In case you don't already follow the rest of the daily exploits on 5x500 without me telling you (for some bizarre reason I don't know why you wouldn't), we are currently taking submissions for a new weekly contributor to join us on Sundays! Follow link to learn all about the necessary submission information in handy haiku form. All we ask is that you post a new something every Sunday in keeping with the theme of the website. "What's the theme of the website?" you ask, like some fool who hasn't even been paying attention. "Glad you asked!" I respond through gritted teeth. I pause for a moment as I hiss in my breath and explain that the only criteria is that must write something and that it must be under 500 words. Poetry, prose, scripts, rants, memoirs, serial fiction, serial murders -- whatever, it doesn't matter, just as long as it's under 500 words. Simple enough, right?

If you think you have what it takes, check out our submission guidelines. We look forward to hearing from you!

Welcome to the C-Wood

The Calderwood Pavilion at the Boston Center for the Arts has a very special place in my heart. I was hired there to work as an usher in my first few weeks of college, and it ended up serving as my main place of employment throughout those 4 years. By my Junior year, I had moved up to Assistant House Manager, and started doing some administrative work as well -- which helped leverage me into my current position at the Huntington, as we manage that building as well. (plus my first apartment was right next to it, which was a convenient commute for work, but, well, the story of that apartment is a whole other thing) It's a beautiful modern theatre space with 4 performance spaces as well as rehearsal rooms and more, and it serves a lot of great smaller theatre companies, in addition to our own shows. Here's a video I put together as part of our fundraising campaign at the Huntington, showing the impact that the building has had the community.

[youtube=http://www.youtube.com/watch?v=k22X0VJMskI]

They Like Me! They Really Like Me!

GOOD NEWS: The 2012 BroadwayWorld Boston Award nominations are out, and my play True Believers has been nominated for a ton of them, including Best Actor, Best Actress, Best Direction, and Best Ensemble (they seem to have gotten rid of the "Best Play - Small/Fringe" category this year, jerks) BAD NEWS: Now you have to go vote for me. With every email address you have. Also tell your friends to do the same. Or else The Cyborg Head of Stan Lee will come to your house and destroy your soul. KTHXBYE.

(also, while you're at it, vote for my girlfriend M. Bevin O'Gara's incredible production of Love Person at Company One, in all of those categories, too, 'cause she's awesome.)

(you can also vote for the Huntington in all of the Large Theatre categories as long as you're there, ya know?)

Five By Five Hundred: Back In Action

After a brief summer hiatus for some professional and mental recuperation, Five By Five Hundred is now officially back in action! For those of you who somehow managed to find your way here and yet still have no idea what I'm talking about, Five By Five Hundred is a website started by back in April of 2009 by me and my good friend Brian McGackin (of Broetry fame), inspired by an idea from the Internet Jesus Warren Ellis. The website originally featured 5 writers, each of whom composed poetry/prose/whatever consisting of no more than 500 words on his/her assigned day of the week (hence, 5 writers x 5 days a week x 500 words = 5x500 = totally bad pun on Faith Lehane's catchphrase). The website has gone through a number of writers, with Brian and I remaining consistent since the beginning, and has now expanded to include new posts on Saturdays and Sundays as well (which, with 7 writers, technically screws up the whole 5x500 pattern thingie, but oh well). Anyway, now that you're all caught up, you can go check out my latest post over there, an oldie but a goodie titled Dad's Diaries (and you can listen to it here, too!)

"Dad's Diaries" at FiveByFiveHundred.com

True Believers Production Photos

Here's a little peek at True Believers, for those of still waiting / unable to see it (or for those of you who want to relive the experience). All photos by Paul Cantillon / LIDEC Photo.[slideshow]

True Believers Updates, Part I

Okay. Breathe. We just made it through opening weekend of True Believers, which saw mostly packed houses and very responsive audiences (and only a few technical malfunctions that hopefully no one noticed but me). All in all, I'd say it's going well so far! We'll just have to wait and see what the critics have to say about it. In the meantime, here's a little interview I did with Jacqui Bryant, a local Boston entertainment blogger, about the show. Full disclosure: I thought she was writing an article, not posting the full interview transcription, so some of my answers, uh, well, they go on for quite a while (I wanted to give her a lot of information to pull from!)

We also got a nice shout out in the print & online version of DigBoston / The Weekly Dig:

Now, you might assume this unconventionally comedic play (penned by local playwright and Emerson College alum Thom Dunn, go Lions etc.) chronicling the interactions between conventional comic convention-types—aspiring artists, single-minded fanboys, haute couturecosplayers and so on—would be a tad nerdy. You would be right. Some World’s Greatest Detective stuff, that is. But just how nerdy are we talking? Try “Cyborg Head of Stan Lee” nerdy. Yes, that’s a kind of nerdy. The “most” kind.

Ha. Thanks, guys (I think...)

Opus Affair, a social group for young professional interested and involved in the arts in around the Boston area, also highlighted the show in their "On the Town" weekly roundup, praising it with favorable comparisons to both Closer and Magic Mike (both of which I assume were intended as compliments though I'm not entirely sure...)

Anyway, stay tuned, True Believers, for more updates, including production photos and...The Cyborg Head of Stan Lee!

I'm Back Now, And I Brought T-Shirts For Everybody!

I have a confession to make. I didn't really bring t-shirts for everybody. Although I do have these sweet new business cards! So that's cool, right? I know I've been slacking (again) lately (again) with keeping this website updated with all of my various doin's. But it's not like I've not been not doing things (...or is it?)! Instead, I've just been too busy doing things to, ya know, write about doing things. It's kind of why I hate meetings in general, because I'd rather be doing things, than talking about doing things. So this website's kind of like a meeting then. Except I don't hate it; in fact, I quite love my little website here. So really, not like a meeting at all.

(shut up Thom) Okay so here's a brief rundown of where the hell I've been:

  • My very short play, Stumped, was performed as part of a staged reading series to celebrate Company One's production of Hookman.
  • My debut comic book story, Not Dead Yet, finally saw print in GrayHaven Comics' sci-fi anthology, The Fifth DimensionAlso the first printing already sold out, which means maybe someday you'll be able to sell that shit on eBay for like $20 (but probably not)
  • I did a totally awesome article for Quirk Books comparing Samuel Beckett (the playwright) to Sam Beckett (the time traveling protagonist from Quantum Leap) and it was totally awesome. Don't believe me? Ask the former executive director of the American Theatre Wing!
  • I also started doing some writing for Tor.com, with my first article being a roundup of great sci-fi/fantasy rock bands (so basically my two favorite things, combined. If only there was more beer!)
  • We did another staged reading of my play True Believers as part of ImprovBoston's Geek Week celebration. It was really great to hear the play out loud in front of different kind of crowd, as it helps me figure out what kind of changes I need to make to the script before the world premiere this summer at the Factory Theatre (July 12 - 21! Get yer tickets while they're hot! Just kidding, they're not on sale yet). The lovely producing folks at Vagabond Theatre Group have a post up over at their website about the event so you can catch up on all the happening. There's also the first part of an instructional series about how to make your very own The Cyborg Head of Stan Lee, which actually comes a lot more in handy than you might think.
  • Did I mention that I launched a new website for the Huntington, and that our world premiere production of The Luck of the Irish was extended, and sold out almost every night? For being, ya know, "just my day job" or whatever, sometimes it keeps me pretty busy as well.
  • Plus Cupcake! So many things, so very busy with this wonderfully little world-premiere-musical-that-could. We raised $6,000 in our Kickstarter campaign (we were going for $3,750...whoops!), and we were the featured show this past Friday on Goldstar. You may have seen some of my sexy posters around town as well (just don't tell Grant that I photoshopped his arm a bit...) Previews start this Thursday, May 10!
  • AND, to top it all off, I've only got like 50 pages left to read in Infinite Jest (finally! Jesus God this book is epic), so I'm gonna go finish that right now and hopefully conquer my crippling fear (no pun intended) of paraplegic Quebecers.

Lá Fhéile Pádraig!

[soundcloud url="http://api.soundcloud.com/tracks/12036874" iframe="true" /] Anyone who knows me can vouch for the fact that I love being Irish. I hold a great deal of pride in the culture, a feeling ingrained in me by my father since a very young age. We also know, of course, that I do enjoy drinking (as if the homebrewing section of my website weren't enough of an indicator). That being said, St. Paddy's Day (and that's "Paddy" for Pádraig, mind you. "Patty" is a girl's name, or what you might call a hamburger) inspires some conflicting feelings within me. I love the celebration of my heritage, and the recognition that it brings to such a unique and fascinating culture. But I find myself being constantly aggravated at the Plastic Paddies and rampant racism that accompanies the holiday. Sure, I plan on heading over to the pub on the 17th to enjoy a few pints, but that's not all there is. I plan on taking in a few Irish seisiuns, enjoying the music and the culture of Ireland, in addition to the drink. Too many people are happy to diminish the accomplishments of the Irish people and reduce us to alcoholic slobs. And while a great many of us do take to the drink — as well as there are many who actually suffer from alcoholism, which is far from humorous — there's much more about the Irish to celebrate. Unfortunately, most complaints about the depiction of Irish stereotypes in American culture are quickly brushed aside as essentially "white people problems." Despite the fact the Irish are generally an accepted — and celebrated — culture in modern day America (especially in Boston!), many seem to forget the years of struggle that our ancestors went through. Sure, it hasn't much affected me directly — no one's ever called me a "white nigger," or pointed to a sign saying "No Irish Need Apply" — but it affected my family, and thus, it's had affect on how I grew up and who I am today.

This week's post on Five By Five Hundred is brought to you by Brian Boru, Flann O'Brien, James Joyce, Fionn MacCumhaill, Brendan Behan, Samuel Beckett, Cuchulain, Maewyn Succa, and all of the other bright and brilliant faces of Irish culture that have had a positive impact worldwide.

"Nina Never Loved Me" on FiveByFiveHundred.com

(also, while you're at it, I suggest you check out The Shore, the newest Oscar-winning short film by Terry George)

The Past, The Present, and The Imperfect Future Walk Into a Bar...

Things have been less than ideal as of late, as my girlfriend's best friend quite abruptly passed away from an unexpected heart attack at the age of 28. As you can imagine, it's been a very rough and emotional week. I could very well fill this blog with my thoughts and feelings on the occasion, but anything factual I would attempt to type would feel disingenuous, so here are a few posts catching up on Five By Five Hundred that were inspired by the situation.

Rest in peace, Crystal Gomes. I guess a light as bright as yours is bound to burn out much too fast.

"Being Tense" on FiveByFiveHundred.com

"The Old Maid on the Bar Stool" (part one) (part two) on FiveByFiveHundred.com