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Thom Dunn is a Boston-based writer, musician, and utterly terrible dancer. He is the singer/guitarist for the indie rock/power-pop the Roland High Life, as well as a staff writer for the New York Times’ Wirecutter and a regular contributor at BoingBoing.net. Thom enjoys Oxford commas, metaphysics, and romantic clichés (especially when they involve whiskey), and he firmly believes that Journey's "Don't Stop Believing" is the single greatest atrocity committed against mankind. He is a graduate of Clarion Writer's Workshop at UCSD ('13) & Emerson College ('08).

The Power of Duff at the Huntington

One of our other new plays in the Huntington's upcoming season is The Power of Duff, which had its world premiere last summer but is undergoing some extensive re-writes for this fall. I spoke with director Peter DuBois about the production in the video below, and I talk more extensively about the story and script over on the Huntington blog:

Artistic Director Peter DuBois discusses his collaboration on THE POWER OF DUFF, a moving new drama by Stephen Belber and a story unlike any he has ever told before. THE POWER OF DUFF plays Oct. 11 - Nov. 9, 2013 at the South End / Calderwood Pavilion at the BCA.