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Thom Dunn is a Boston-based writer, musician, homebrewer, and new media artist. He enjoys Oxford commas, metaphysics, and romantic clichés (especially when they involve whiskey), and he firmly believes that Journey's "Don't Stop Believing" is the single greatest atrocity committed against mankind. He is a graduate of Clarion Writer's Workshop at UCSD ('13) & Emerson College ('08).

"GIMME INDIE ROCK!": The Simple Comforts of A Future Perfect

A Future Perfect is a brand new play by Ken Urban about indie rockers in their 30s dealing with marriage, careers, babies, and of course, rock and roll. The show is currently receiving its world premiere in Boston with SpeakEasy Stage Company, and if you're anything like me — that is, the creative indie rock type somewhere between the age of 24 and 45 trying to find a balance between still doing what you love and living some semblance of an "adult" life without explicitly selling out and/or turning boring — there's a good chance that this show might hit that sweet spot for you. It has all the charm and humor of a great indie movie (like The Happy Sad, also by Ken Urban and currently available on Netflix), along with a fantastic soundtrack featuring the likes of Pavement, Modest Mouse, Neutral Milk Hotel, the Smiths, Dinosaur Jr., etc. etc.

In short, it's pretty fantastic. 

Then again, I might be biased. After all, the show is directed by my partner, M. Bevin O'Gara, and I also did some music and video projection work for the show myself (in addition to the sound design by Nathan Leigh). So I mean — sure, if you want to put it that way, I guess I would be biased. But it's also an incredibly touching story about friendship, adulthood, and not losing sight of the things that you believe in. Even without the personal connections, that still hits pretty close to home for me.

A Future Perfect runs tonight through February 7 at the Calderwood Pavilion in the South End (there's also a Pay-What-You-Can performance this coming Sunday, Jan. 11). If you're reading this, you'll like it. Trust me.

Also there's puppets.