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Thom Dunn is a Boston-based writer, musician, homebrewer, and new media artist. He enjoys Oxford commas, metaphysics, and romantic clichés (especially when they involve whiskey), and he firmly believes that Journey's "Don't Stop Believing" is the single greatest atrocity committed against mankind. He is a graduate of Clarion Writer's Workshop at UCSD ('13) & Emerson College ('08).

Smash Mouth wrote “All Star” to warn about climate change & anti-intellectualism 20 years ago—and we turned it into a stupid meme.

I've been working on this very important research for a year now, and I'm proud to finally share the truth with the world: how Smash Mouth tried to warn us about climate change & modern anti-intellectualism 20 years ago with a little song called "All Star."

This is a very serious work, and you’re welcome for my sacrifice.

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STREETS LIKE THIS: A New World Premiere Play!

For the last couple of months, I've been working with AC Sidle on the Civic Ensemble's Re-Entry Theatre Program to create a new play about prison and addiction, inspired by the real-life stories of people who've lived the struggle. The play started with scenes, written by the program participants—most of whom are or were transitioning out of prison and/or rehab—which I then took and transformed into a full-length, fictional dramatic work.

It started out with their stories, but I gotta say: I'm pretty happy with the final product, and I hope we can continue giving it life across the country, because these conversations aren't going away.

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Ithacans, Civic Ensemble invites you to sit with Deon and Dennis, two local men getting up there in age. Deon is black, Dennis is white; both are worn out from past convictions, dysfunctional institutions, and the preventable deaths of loved ones. From their stoop, watch Crystal, Abby, and Brian struggle with their diverse obstacles and mistakes while stuck in the United States’ broken criminal justice system. Deon and Dennis narrate the stories of these three and other characters navigating the perils of real life and their own demons while dealing with the consequences of probation, incarceration, parole, and court-ordered rehabilitation. Streets Like This, based on true stories, travels from the Meadow Street Mobil to Social Services offices and the curb outside Day Reporting to their own workplaces and homes. The play offers no single solution but rather brings you into their worlds. As Deon says, “But maybe next time, you’ll do more than turn your heads away as you toss some spare change in their cups.”

Saturday May 5 at 7:30pm, followed by opening night party
Sunday May 6 at 4:00 pm & 7:30pm
at Kitchen Theatre Company, 417 MLK Jr St, Ithaca

Monday May 7 at 7:30pm
at GIAC Gymnasium, 301 W Court St, Ithaca

4 things the Left keeps getting wrong about gun reform.

Another day, another awful tragedy. Several months ago, I'd pitched a story to Huffington Post about tangible, rational, fact-based suggestions to help curb the epidemic of gun violence in America—specifically, things that might be a little uncomfortable for Left-leaning liberals to acknowledge, but things that would actually make a difference (and have a chance of getting passed).

But every time we planned to publish it, it was always felt too uncomfortably close to another mass shooting. So we put it off for a while longer, again and again and again.

Then Las Vegas struck. And if it wasn't clear before (it was), then it certainly is now (it is) that the time to talk about gun violence is right now, and the longer we put it off out of some kind of expectation of polite social courtesy, then the higher the body count will climb. 

So here it is. Now let's do something about it.

(I also had the privilege of speaking with Chris Frates on the Smerconish Show on Sirius XM Potus Politics. You'll need to be a Sirius subscriber to listen, but we had a great chat about finding common ground on gun violence issues, which inspired some wonderful call-in comments from listeners as well)

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My first full guide for Wirecutter!

That's right: not only did we revamp the entire Wirecutter website with a cool new look and fancy mobile friendliness, but I've also published my first official guide for them! Check it out:

 Ironically, I also shaved my beard off this morning, so my author photo is no longer accurate.

Ironically, I also shaved my beard off this morning, so my author photo is no longer accurate.

So uhhhhh I just signed with a literary agent? So that's cool?

That's right: I just signed with a literary agent! The Kepner Agency was so impressed with my Irish Boston supernatural punk rock noir tentatively titled Pints of 'Gansett Make You Strong  that they want to make something happen with it!

Excuse me while I go dance over here in the corner.

In the meantime, you can listen to the official unofficial Pints of 'Gansett Make You Strong soundtrack to tide you over, 'cause publishing takes a while.

How science fiction helped me understand my mental disorder.

My first week at the Clarion Writer’s Workshop, I decided to kick things off with a bang: an 8,000-word short story that never ended.

Clarion is a highly-renowned training ground for sci-fi/fantasy writers, so naturally, I wanted to make an impression. Hence, I introduced myself to my cohort and award-winning instructors by writing a recursive metafictional time travel story. The main “plot” was only about two pages, followed by another thirty pages of footnotes, each with multiple internal references to other footnotes, all to explain the theoretical science behind the causal loop that lead to the main characters’ spacetime-crossed romance. This had the effect of taking the reader on a self-directed non-linear journey through characters’ pasts, presents, and futures, in an endless circle of effect-cause-effect that was unique to each reader.

That was 2013. Me and the other 17 members of my cohort still talk regularly; some of them have already become award-winning authors in their own rights. And to this day, not a week goes by without at least one of them giving me shit for that story. But I have a good excuse for my obnoxious ambitions:

I have ADHD, so it made perfect sense. To me.

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Human waste as sustainable energy? These high schoolers made it happen.

Leroy Mwasaru was a high school student at Kenya's prestigious Maseno School when a dorm room renovation created an unfortunate situation.

The school's outdoor latrines overflowed into the local water supply.

Understandably, this made some people quite upset. But Mwasaru saw this as an opportunity to turn something revolting into a revolution.

If he could redirect the overflowing human waste, it could give them cleaner water and help the school save money on fire and electricity.

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